Motivate Your Characters and Plot by Rita Karnopp

As with each of us . . . characters in our books change as the story progresses.  The growth of a character is very important.  I think this aspect of writing is sometimes overlooked or even forgotten.  We focus so much on what is happening externally that we forget what is happening internally.

We need to learn what motivates our character as the story progresses.  They must have reasons why they do the things they do.  They must have reasons why they resist the right decision.  They also must have reasons why they react the way they do.  Each of these ‘reasons’ is what motivates our characters as well as drives the plot of the book.

Confused? Don't be; it's simpler than it may seem. Characters can be broken down into four groups:

1.     The never changing character – they refuse to change in personality and motivation.  You get what you see.

2.     The no-personality changer – they don’t change or grow during the story –but they want to. 

3.     The changing character – they change but their motivation does not.

4.     Finally we have the characters who changes throughout the story - as their motivation also progresses.

While plotting out the story we must decide, ‘what is the key motivation for each main character?’  This will add incredible depth to the story.  Always be aware that character and plot are entwined.

The never changing character – I’ve often heard that a character must change – even if in a small way.  Why?  Think about James Bond – he’s smart, debonair’, unstoppable, and he gets the girl.  His character has a single direct motivation the entire length of the story.  At the end, Bond is still smart, debonair’, unstoppable, and he gets the girl.

And when you think about it - his motivation doesn’t change either. He accepts a mission, and he doesn’t stop until it’s accomplished.  There are always the ‘mini’ motivation interruptions such as saving a woman from drowning or escaping a death trap.

We can apply this never changing character with a direct motivation to any genre’.  Our responsibility is to present the reader with a character and goal clearly and powerfully obvious from the start.  There will be no doubt who this character is and why he’s doing what he's doing.   This then gives us (the writer) ‘license’ to complicate the story plot.

Be aware – an unchanging character with a direct goal still can react or respond to more than one emotion at any given moment. Our Mr. Bond might feel attraction to a knock-out blonde and at the same time distrust her.  If your character feels two conflicting things toward another character, bring this to life in the scene in which it happens. Then—and this is the important part—return to the main goal in the next scene.

This tells us that his motivation is unchanged. Although Bond, for instance, has just made love with a woman, she hasn’t fundamentally changed him. He’s not changed in either his behavior or mission as a result of her attractions.

The no-personality changer – This type of story focuses on a character who doesn’t change in persona or attitude, but what he/she wants accepts as a result of story aftermaths.

These characters are often the heroes or villains. The heroes are admirable characters from the beginning. They don’t change because the writer has created a character that is supporting an ideal/situation that he/she clearly represents and embodies.  Say for instance saving an endangered species or leading a group to keep oil from being drilled in sacred Native ground.

The fact is your character starts-out heroic and you don’t want him to change.

The changing character – Then there are the stories where the major character changes notably. The character has a single cause/motivation due to his/her backstory.  Consider Pollyanna’s aunt.  She refused to show kindness and love – because as a young woman she’d been hurt by the man she loved.  A lot had to happen to her before she realized it was okay to reach out and love.  The point here – she had to change for the story/plot to have resolution.

Keep in mind when you write the changing character:

His/her character change must result in response to story consequences or results. Develop the story so your character changes the way you want.

Your character must have emotional responses to these events.

Make sure the character change is emphasized. The ‘change’ must be shown. This is called validation, and it’s crucial for all changing characters.

You must add validation at the end of the story so the reader knows this character’s change is not temporary. Usually this ending validation is on a larger scale than what has gone before.

Readers enjoy and are satisfied at the end of a book when there’s a changing character/single motivation.

Characters who changes throughout the story - as their motivation also progresses -  Of the four characters, this is the most complex fictional pattern. A character’s personality as well as their goals change throughout the story.

Simplify this character – change him/her from a self-centered model to a caring person – putting life in danger to save the child-type.  

With this type of character your hero/heroine’s changes must be dramatic and prove they are a result of the horrendous events, be supported by believably portrayed emotions, and be confirmed by ensuing actions on his/her part.

Books We Love just released Rita’s fifteenth book, Thunder

http://www.amazon.com/dp/B00FM1IO0U

Mingan (Gray Wolf) is certain his twin brother wouldn’t commit suicide. Entering the world of professional wrestling and fulfilling Thunder’s obligations, Mingan begins by scrutinizing everything around Thunder’s life, starting with the beautiful and haunting Chloe. As hard as he tries to keep her at a distance, he’s pulled to her like adrenaline on a choke hold. If they find his niece, they’ll find his brother’s killer . . . or will they uncover something more sinister going on?

 

Happy Un-Anniversary by Ginger Simpson

Del walked into a haze-filled house. His wife, Annie, stood in the middle of the room, fanning the air with her apron while the smoke detector blared an earsplitting tune. He snatched the contraption from the ceiling and ripped out the batteries.

“Cooking again, are you,” Del asked, trying to hide a blossoming smile. He tossed his cell phone and car keys on the counter and hung up his jacket. This wasn’t the first time she burned his dinner. At the rate Annie set off the detector, they should own stock in that company with the nonstop bunny rabbit ad. Luckily, there was more than one route to his heart, and it certainly wasn’t through his stomach as the saying went.

Annie dipped her chin to her chest. “I so wanted this new recipe to work.”

He crossed the room, rested an arm around her shoulders and gave her squeeze. “It’s okay sweetheart. I’m sure whatever it was would have been delicious.”

Rather than be cheered by his words, she hid her face with her palms and sobbed.  "I'm a disaster in the kitchen.” Her muffled words came out between hiccups.

He pulled her closer. “Now, now, everyone has different talents. I wish I could sing like Pavarotti, but I sound more like Gomer Pyle. You just don’t happen to be Julia Childs.”

She peered up through eyes brimming with tears. “But I wanted to surprise you with a romantic dinner.”

 

"I know....I know." He pulled her into a one-armed cuddle.

 

A determined look spread across her face and, she turned back to the counter. “I’m going to try again, this time I’ll pay closer attention to the directions.”

His gaze wandered to the dining room and a table set with fine china, candles, and wine glasses. Dear God! His breath stopped short of a gasp. He’d forgotten an important date. There was only one thing to do to save face and stop her from poisoning them both.

He crossed the room and removed the knife from her hand. Cupping her chin, he gazed lovingly into her eyes. “You can test your recipe another time or you’ll spoil my surprise. Go get cleaned up. I’m taking you out for a special dinner and, if we’re lucky, a night of dancing.”

Annie’s eyes widened. “Really?” Her brows rose in an inquisitive arch, but straightened when she smiled. “Oh, sweetheart, you shouldn’t have gone to all that trouble.” She stood on tiptoes, gave him a peck on the cheek, then hurried upstairs.

Del waited until she was out of sight, then digging frantically through the desk, found the phonebook and scanned the yellow pages for restaurant phone numbers. On a week night, surely he could make a last minute reservation and still be his wife’s hero. What would one more little white lie hurt when he’d already told so many about her dismal cooking skills?

Success…he hung up the phone. Reservation made and even flowers ordered. He’d pulled his plan off without a hitch and felt pretty proud of himself…until the sound of someone clearing their throat caught his attention. He swallowed hard, turned, and saw Annie at the bottom of the stairs.

She stood with folded arms. “So, you planned to surprise me with dinner and dancing, huh?”

“Well, you see…I-I… Okay, okay, you caught me.” His shoulders slumped. “I forgot our anniversary.”

Annie’s somber look mellowed. She collapsed into laughter.

“What’s so funny?” he asked.

“It isn’t our anniversary, silly.” She walked closer. “I wondered what you meant earlier, but I decided to see where this was going. What gave you the idea this was the day we got married?”

“Well, you said it was a special night, a-and I just assumed…”

“Oh that.” She waved a limp wrist at him. “I didn’t mean special for you and me, silly. The special is on Lifetime Television…it’s all romance night again. I thought if I fixed a special recipe for an early dinner, we could cuddle up and watch some movies together. You know… before we go up to bed.” She lowered one eyelid in a sensuous wink.

He cracked his knuckles and flashed a sheepish smile. “Well, in that case, I think I’ll cancel dinner out and order in.”

Del had a plan, too. A little pizza, a romantic movie, and when they went upstairs, he’d end up getting a gift he hadn’t counted on…especially on a Wednesday night. Lifetime movies acted like an aphrodisiac on Annie, and, for sure, tomorrow he’d be sending the cable company a special thank-you note.

Video Trailers versus Excerpts – by Ginger Simpson

Some people love video trailers, others prefer to read excerpts. Personally, I love ‘watching’ an excerpt over reading it. With so many new authors coming on board and new promotion groups springing up every day, I feel like my words get lost in a sea of others. I can’t tell you how many times I’ve become frustrated over scrolling through a digest that is nothing but excerpt after excerpt with little or no explanation about the story—no scene setting, no dialogue. Why would I want to buy that book, I ask myself. The author clearly didn’t care enough to stick around and discuss her/his work. Probably off doing more ‘drive-by-posting.’

*Hanging head*. I’ve been guilty of it myself by trying to cover as many loops as possible on the days they offer open promotion. But, I now realize I was doing myself a disservice by using this tactic. I’m looking for a way to initiate discussions with readers about what they truly appreciate and/or hate in a book. The secret is finding a way to ‘delurk’ them. *smile*

In the meantime, I really enjoy the technology that allows me to bring my work to life in a one-two minute video. I’m a fan of short rather than longer because sometimes too much information becomes boring or overwhelming. I’ve done several trailers now, and I think I’ve finally hit upon giving just enough information to whet someone’s appetite and make them want more. At least, that’s my hope.

The cost of having a professional video done is prohibitive in most cases which is the main reason I learned to use the Windows Movie Maker program on my computer. It’s time consuming, but for me, fun because it gets my creative juices flowing. The hardest part is perusing royalty-free sites, looking for inexpensive pictures and music. You must be very careful about what you use, making sure you’ve purchased the appropriate license to display the photo or sound. People get really picky when you use their stuff without permission. As authors, we should all understand this. We don’t like anyone selling our books without permission.  I recently discovered Animto.com and pay for a very small free and they do all the hard word...mixing, coordinating the transitions...things that continually made my Movie Maker freeze up.  I really, love Animoto. 

Not all my friends are computer literate or have the time to devote to making their own trailers, so I’ve had the privilege of creating one or more for them. My options are limited to the program I use and can’t compare with the big gun companies, but given what I have to work with, I’m proud of my accomplishments. Here’s a look at  one I did for a recent release,

You can find all my videos at http://www.youtube.com/mizging and all my books on my Amazon author's page.

Please visit my blog at http://mizging.blogspot and say hello. Right now I’ve been on a political rampage, but I’m taking prozac and drinking vodka to cure it and not vent on Dishin' It Out. *big grin*

Ginger Asks...Do Love Scenes Come Naturally for You?

This article appeared on Dishin' It Out in 2008 and I reran it a few years later because of an increased audience.  I still chuckle when I read it, so I decided to share it here.   Okay, so I'm an attention whore! :)

A while back I queried HQ on a short, historical story that is supposed to be 'spicy.' I thought I WAS writing spicy by using a few 'buzz' words here and there, and it made me sweat, trying to come up with something creative. BUT...I shared my story with my friend who I consider the Queen of Steam, and although she loved the story, she said it wouldn't fly. I know why!

It's hard to be inventive. I realize that there is a lot of ME in each of my stories, and I don't feel the least bit sexy...for reasons described in previous blogs. If I truly wrote what my mind sees when I think about sex scenes,I highly doubtful anyone would be swept away to anything but hysteria. Here's an example.

Moonlight filtered through the venetian blinds and highlighted him as he disrobed. He pulled his shirt over his head, then shimmied out of his pants. Her breath hitched. When had his stomach gotten so huge? *rofl*

 OR

His breath warmed her neck as his lips trailed upward. He nibbled at her earlobe then raised up and gazed upon her face. His mouth, a few inches from hers, he licked his lips and drew closer.

She recoiled and rolled away. "Geez, I told you not to have onions on that burger. You reek."

OR

He entered her with a quick thrust. She gasped, feeling a sensation all too familiar. "God, get off me. Quick! I have a Charlie Horse!"

 OR...last but not least....

Tonight was the night he'd waited for. They hadn't made love for a month and he was determined to sample her wares. Maybe more romance was needed. He hadn't been all that passionate or attentive of late. The moment was right. Everyone else was gone, nothing but the flickering TV lit the room. He slithered off the couch and crawled toward her chair. She appeared deep in thought,lost in the movie she watched. He inched closer and reaching her side, took her hand.

She jumped, then smiled. "What are you doing down there?"

"Come on." He raised to one knee. "Come to bed with me. I want to show you how much I love you."

She unfurled one leg from beneath her and nibbled her bottom lip. Tears glistened in her eyes. She offered her hand.

He took it and attempted to stand. A popping noise sliced the momentary silence between commercials. "Ow...my back!" He managed to get to his feet, but remained bent at the waist. With pain etched on his face, he hobbled to the couch and collapsed.

"I guess we'll have to wait."

She blotted her tears. "That's okay. My leg's asleep and I can't get up anyhow."

I think I'll stick to what I know I can do and leave the erotic and steamy writing to those who can handle it without laughing. I obviously can't.

Characters Act and React by Janet Lane Walters

This may be something I remember from physics or it may not be since that is the only college course I failed to ace. I did not fail but nearly. For every action there's an equal and opposite reaction. For characters part of this may not be true though I'm not sure.

Just what is an action in fictional works. The action can be physical or verbal, usually. If someone slugs the hero or heroine with fists or with words, the hero or heroine is going to react. This reaction can tell you much about the character.

Since much of the way I develop my characters is by using a bit of Astrology, their reactions are usually geared to their signs. An Aries would hit back and usually not with words. A Scorpio wouldn't get mad but they would get even. These are just examples of reactions.

The kind of action the character chooses will also delineate their character. Are they upfront, subtle or some variation of these two. An action can be deliberate or unintentional. We all know people who open their mouth only to shove their foot inside. There are some people who will never act openly.

An action or reaction can come from outside the character or be an internal one. Think of how people operate during an emergency. Some panic and some take charge. Or when a value is challenged. Some may act in the open and some may do so in secret.

When developing your characters, imagine how they would react in a given situation and when putting them into action, think of how this particular character would act or react.

~~~~~~~~~~~~

Janet Lane Walters' recent release from BWL is Shattered Dreams, Moonchild Series, Book 1
Torn apart years ago by lies and threats, Rafe Marshall returns to town and confronts Manon Lockley. She has been told he died on the night he stood her up for their senior prom. When she faints, Rafe catches her and realizes he hasn’t stopped loving her.

Manon carries anger and now grief that wasn’t real. Rafe wants her in his life, but she doesn’t want to talk about what happened in the past. She can’t be sure if her father or someone else told lies about Rafe and she doesn’t want to know. Can Rafe persuade her to listen? Not without a battle.  

http://www.amazon.com/dp/B00DPZT6K2

~~~~~~~~~~~~

Janet Lane Walters has been writing and published since the days of the typewriter. She has 30 plus novels and seven novellas plus four non-fiction books published. Janet lives in the scenic Hudson River valley with her husband, a psychiatrist who has no desire to cure her obsession with writing.

She is the mother of four and the grandmother of five with two children expected to arrive soon from China. Janet writes in a number of genres - Romance from sweet to sensual and from contemporary to fantasy and paranormal. She has published cozy mysteries and medical suspense. She also has a number of YA fantasies published. Visit her Blog:
   

http://wwweclecticwriter.blogspot.com/ 

 

Fond Obsession by Lee Killough

      Every story happens somewhere. Sometimes we hunt a stage for our characters, and sometimes we design one. Other times a place calls out to be that stage. To paraphrase Tony Bennett, I lost my heart to San Francisco. From the first time my late husband and I puffed our way to the top of a hill and looked out over the stair-stepped buildings to the bay it’s been my all time favorite city. So when, in 1978, I began plotting my supernatural mystery Blood Hunt, San Francisco whispered: Here I am. Use me.

Oh, yeah. Memories cried out to become scenes in a story. The little greasy chopsticks eatery in Chinatown with grey smoke boiling out of the kitchen to coat the all-Chinese signs on the wall, but serving the best fried rice and egg rolls I’ve ever eaten. The exotic dancer who, while writhing in “passion” on a giant pillow, looked look down on a man at the bar surrounding the stage and said in a bored monotone: “Hi, honey. What’s your day been like?” With the villain of the book being a vampire, she belonged somewhere foggy. It didn’t matter that her hunting ground ended up being brightly lit...because where better than Broadway’s garish blocks of clubs for her to pick up vulnerable visiting businessmen. And after my detective tracked her through those same clubs...and came too close for comfort...the little dead-end alleys provided a perfect site for her to trap and try to kill him.

Try, but fail...turning him into a vampire, too. 

Yeah, a vampire cop. But it was a new idea a decade before Nick Knight came along.

The whole idea for the book grew out of a “what if” moment watching one of those B movies in which some poor schmuck is turned into a vampire and starts dragging around at night in a blood-hungry frenzy. I started wondering what it might really be like for someone to become a vampire. Does a vampire have to be evil? Aren’t good and evil choices? Would he have to sleep in a coffin? Would he have to drink human blood? Because my x-ray tech job at a veterinary school and volunteer stints at blood drives had shown me that student vets and even experienced nurses struggling to hit veins, I had to wonder: wouldn’t there be a learning curve for finding one with teeth? I considered how to explain why some vampires like poor Miss Lucy are almost zombies while other Undead, like Dracula, retain full mental faculties. A retro virus suggested itself as a practical solution. Receive a little vampire virus in saliva from a single bite and a healthy immune system disposes of it. Get drained or receive multiple doses and when the body’s defenses crash the virus takes over, but is potent enough only to reanimate the body. A big slug of virus, though, say received by drinking vampire blood, restores higher brain functions, too. Which explains why Dracula made Mina drink some of his blood when he wanted to make her his bride.

Because I love mysteries, and cop protagonists in particular, a police procedural seemed the idea structure for exploring “what if.” So were born Inspector Garreth Mikaelian and the beautiful but deadly Lane Barber.

After being brought across, Mikaelian not only had to carry on the investigation. He had to deal with what he had become, all the while hiding it from everyone else. He had to answer the above questions regarding good and evil and choices. San Francisco gave me a terrific landscape for it. The first despairing hours of self-realization drove Mikaelian to try killing himself by sitting at the foot of the cross on Mt. Davidson at dawn. Only to find that while oppressively miserable for him, daylight was not fatal. Bram Stoker’s Dracula sometimes went out in daylight, so my vampires can too. I discarded a few vampire “rules,” such as not reflecting in mirrors, but made sure to keep the prohibition against entering a dwelling uninvited because it is a huge handicap for a vampire cop. Which Mikaelian unfortunately discovered trying go in the back door of a suspect’s place while his partner went in the front...with tragic consequences. In a semi-comic scene he discovers there is a learning curve for biting accuracy...and his clumsy failure makes him resolve to never prey on another human.

Writing Blood Hunt and its sequel Bloodlinks — where Mikaelian becomes the quarry of a Van Helsing type — presented one problem, though: I live halfway across the country in Kansas, and my day job and budget didn’t allow for a research trip. So in those days before home computers and the Internet became ubiquitous, I turned to memory and the original search engine: books. I read everything in the library on San Francisco. Current travel guides proved especially helpful. They had not only city info but maps and pictures. Being a huge fan of Streets of San Francisco I had taped a number of episodes. I re-watched them, studying the background details when the background was clearly San Francisco and not a studio set. A fellow author lived in San Francisco at the time and when I ran into him at a convention I pumped him for city details. It all went into a background book that ended up as thick as a manuscript. But then, I’m a compulsive list maker and even work from a checklist in constructing story backgrounds.

That helped me preserve continuity twenty years later when I wrote Blood Games, the third in the series...where through no fault of his own Mikaelian may have created his own vampire offspring. And for further research, wow what a difference the Internet made! Guide books still remained a great resource, but the Internet was almost as good as a visit, and let me search out information any time of the day or night without leaving home. I discovered that most cities have web sites, and so do many police departments, all loaded with useful data. The SFPD’s site has maps showing its city divisions, pictures of the division station houses, lists of its bureaus, pictures of command personnel.

These days the Internet is definitely my research buddy. Killer Karma, another supernatural mystery, has the ghost of a murdered SFPD Burglary detective solving his own death. For it I turned up San Francisco web sites with pictures of many locations I wanted to use as Cole Dunavan learned how being a ghost worked — it unfortunately didn’t come with an instruction book — hunted his killer, and sorted out other personal and professional problems that kept his spirit on earth. Embarcadero Center, where he finds himself in the parking garage with no memory at first except of his murder. The Hall of Justice of course, Noe Valley, the Richmond, Union Square. Some sites carried satellite photos. Some had live cam shots...the next best thing to being there. Consulting the Chronicle/Examiner web site gave me weather patterns and timely news articles. And of course I was back checking the SFPD’s web site.

Google maps are almost as good as traveling to a location. Almost. They don’t take you inside buildings, though, or let you experience touching and hearing the location. I was lucky enough to have serendipity provide what the budget had not previously. In the midst of planning Killer Karma, I attended a science fiction convention in San Jose. While we were there, Denny and I rented a car and visited the cemetery town Colma, one of the locations appearing in the book. That was quite an experience...acres of cemeteries surrounding a town geared to a single purpose: serving the dead. And when Alan Beatts of San Francisco’s Borderlands Books kindly ferried some fellow writers and me up to his store for a signing, I spent the half day before the signing walking the hills and riding buses around the city and being given a tour of the Hall of Justice. Which Alan also arranged for me. Later when I had questions about other locations that the Internet couldn’t answer, Alan, bless him, went out, took pictures, and e-mailed them to me. He was an angel and I love digital technology.

A TV show from my childhood, Naked City, used the line: “There are a million stories in the naked city.” What’s true for New York is no less so for San Francisco, so it’s likely the city will keep waving its hand when I need a story background. And I’ll keep using it.

                                   ~~~~~~~~~~~~~~~~~~~~~~~

 

Lee Killough has been storytelling since the age of four or five, when she started making up her own bedtime stories, then later, her own episodes of her favorite radio and TV shows. So of course when she discovered science fiction and mysteries about age eleven, she began writing her own science fiction and mysteries. It took a husband, though, years later, to convince her to try selling her work. Her first published stories were science fiction and one short story, "Symphony For a Lost Traveler", was nominated for a Hugo Award in 1985.

She used to joke that she wrote SF because she dealt with non-humans every day...spending twenty-seven years as chief technologist in the Radiology Department at Kansas State University's Veterinary Medical Teaching Hospital. At the same time, she also used to train horses. She has lived most of her life in Kansas, but when her late husband was in the Air Force at the end of the sixties, they lived two unforgettable years in Washington D.C. During which she witnessed the hippie invasion of Georgetown, the Poor People's march on D.C., urban riots that set fires in neighborhoods close to theirs, and their neighborhood crawling with police and FBI for a day while law enforcement tracked two men who gunned down an FBI agent a few blocks from their home.

Because she loves both SF and mysteries, her work combines the two genres. Although published as SF, most of her novels are actually mysteries with SF or fantasy elements...with a preference--thanks to a childhood hooked on TV cop shows--for cop protagonists. She has set her procedurals in the future, on alien words, and in the country of dark fantasy. Her best known detective is vampire cop Garreth Mikaelian, of Blood Hunt and Bloodlinks, reprinted together in an omnibus edition BloodWalk. She is a member of the Science Fiction and Fantasy Writers of America, Mystery Writers of America, and Sisters In Crime.

http://bookswelove.net/leekillough.php