Friday, September 5, 2014

Location, Location, Location by Jamie Hill


I like to set my books in real cities because I believe readers relate to places they know, live, or have visited. My cop series is set in Wichita, Kansas, which is a large enough city that they probably have plenty of crimes and good cops to solve them. Actually, around the time I was writing the first book, Family Secrets, the BTK killer had just resurfaced in Wichita and was soon apprehended. I added a mention of him, a "Did you work on that BTK case?" type of thing, for a touch of realism. But that's as far as I went with him. His crimes were horrible and touched the people of Wichita deeply. I didn't want to remind them too much.

http://amzn.com/B004478IN6 I asked several people from the Wichita area about neighborhoods, locations by the river, various aspects of the city that I could include. I tried to steer clear of actual addresses because I didn't want a reader saying, "That's my address in Wichita!" And that's the very reason I make up business names, Like Moe's Diner and Sister Theresa's Shelter. If I wanted to make Sister Theresa the bad guy (or nun, so to speak) in the end, I didn't want the real Sister Theresa saying, "Hey now!" So while the story is set in Wichita and a few of the main streets are mentioned, as well as neighborhoods, the rest is purely fictional. Recently a reader told me she was from Wichita and while I changed the names, there was indeed a diner and a shelter like the ones I wrote about, and she could picture them as she read.

Mission accomplished.



http://amzn.com/B00K5XAGY2My Witness Security series is set in Topeka, but the city won't play a major role. These people are in hiding and generally aren't going to be out doing the town. They'll also be traveling to other locations, in the first book they went to Chicago. Book two takes the characters to LA. Both towns I've visited and hopefully am able to capture their essence.






http://amzn.com/B00EOA5G3II took a different tactic with my Blame Game series, creating a fictional town for the characters to live in. I had a certain real town in mind and gave the fictional town of Marshall features of that place I knew well, but I had the freedom to jiggle them around as I desired. What I like about a fictional setting is as long as I'm consistent, I can create any details I want. No one can write me and say, "Excuse me, Fifth Street never intersects with Prospect Blvd." In my fictional town, maybe it does.




Find the first book in each of my series' here:

Family Secrets, A Cop in the Family: http://amzn.com/B004478IN6 
Pieces of the Past, Witness Security: http://amzn.com/B00K5XAGY2
Blame it on the Stars, The Blame Game: http://amzn.com/B00EOA5G3I

Jamie Hill




 

Wednesday, September 3, 2014

The Mystery Lady by Diane Bator


The Mystery Lady is the second book in my Wild Blue Mysteries series with Books We Love. Oddly enough, Lucy Stephen was created while looking out my bedroom window and watching vehicles drive by. While I'm lucky enough to not have had a stalker, it did create that aura of "what if" that always plagues a writer. So Lucy became a mystery writer who was dragged into solving a murder.

Lucy's stalker, aka Danny Walker from The Bookstore Lady, becomes a victim of being hired by the wrong person at the wrong time. Unable to prove Lucy's guilt, he sets out to save the lives of Lucy and her children.

Enjoy the excerpt!

Chapter 2
Lucy

Lucy Stephen twisted her wedding rings around her finger and shoved aside all thoughts of writer’s block to focus on her bank statement. She’d never considered writing about murder and mayhem, until the past couple months when her husband had given her a steady supply of material. During their eleven year marriage, she’d strived to be the best wife and mother she could, which didn’t stop Roger from leaving her alone with three kids in a neighborhood full of lecherous men, and other assorted lunatics, while he moved in with Cynthia.
Her current thoughts lay scattered like the nacho crumbs that littered the hardwood floor. No wonder her shorts were getting tight, she ate cheap junk food every time she called to ask Roger for money.
She compared the statement to the balance in her chequebook and willed the numbers to increase exponentially. They refused to budge. Clutching her resume reluctantly, she sighed. As much as she wanted to make a living, the meager amount she earned writing didn’t pay the mortgage or feed and clothe her kids. She needed to make the flying leap to get a real job before school started, but the thought of leaving her kids to go to work every day made her palms sweat.
For the past eleven years, the kids had been her entire world. Her kids and her writing. With Roger gone, she was alone in a strange town. Who would look after her kids while she worked? Who’d cut the crusts off Shawn’s peanut butter sandwiches and make sure Gina didn’t wait too long to go to the toilet?
She wiped away a tear. Getting emotional wasn’t going to help. If things didn’t turn around soon, she’d have to call her parents for a loan to get her through and listen to them plead with her to move back to Seattle.
The screech of metal on metal came from outside the window and grated on her nerves as it had the entire afternoon. One of her neighbors was outside tinkering with his truck. She tucked her lower lip between her teeth to stifle a scream. Already on the verge of a complete breakdown, the noise pushed her closer to the edge with each passing minute. She reached up and clutched her hair with both hands.
“Mom,” Shawn, her middle son, called up the stairs. “Dad’s on the phone.”
She winced. A second phone sat on her desk, ringer off. Normally, she was thrilled to talk to other grown-ups, any other grown-ups, just not Roger Stephens. She still harbored a few hard feelings, more like a truckload after he’d left her.
From what she’d learned, Cynthia Mathias was not only rich, but a dozen years older than Roger. Lucy wasn’t surprised when they broke up less than two months later. When Cynthia died, however…
Lucy shuddered. No one deserved to be raped and bludgeoned by an intruder while alone in her penthouse apartment. She’d read every news clipping she came across trying to make sense of Cynthia’s murder. At least with the kids around for the summer, Lucy was never alone and the odds of such a crime happening to her seemed remote.
When Roger had brushed off her concerns after Cynthia’s death, Lucy assumed they’d parted on ugly terms. Since Cynthia’s husband was a multi-millionaire, their breakup was probably over money. Roger didn’t have enough cold, hard cash to keep up Cynthia’s lifestyle, or her appearance.
“Mom,” Shawn shouted again. “Phone.”
“I got it.” Keeping the enthusiasm out of her voice when she did answer the phone was easy, her husband aroused emotions she’d rather not deal with. She choked back the anger, careful not to say anything stupid.
“Hey, sweetie.” Roger only called her nice things when he was drunk or wanted something. Mid-afternoon on a Wednesday, drunk was probably out. “How’s everything going?”
Lucy cringed and her stomach clenched. “Fine. Why?”
“Wow, don’t sound so suspicious. Did I catch you writing or something?” Roger chuckled then coughed and cleared his throat. “I’ll cut to the chase, Luce, I want to take the kids next week.”
“What?” Lucy fumbled the phone and let her resume waft to the floor. She hated the way he called her Luce. She was definitely not “loose”. Another loud screech of metal on metal from outside made her flinch and clench her fist. “Have you been drinking? The only reason you usually call is to say you can’t see them.” Leaving her to sop up the tears and patch their broken hearts.
“I’m sure that’s the way it seems. I do have to make a living after all.” He hesitated. “Anyway, I’d like to take the kids on vacation next week.”
She sucked in a breath and waited for the punch line. When one didn’t come, she pinched her leg. Nope, not dreaming. “For the whole week? Are you serious?”
Roger snorted. “Of course I’m serious. Tanji and I will pick them up Sunday and take them to the cottage for a few days.”
Like they had last summer when they were still a family only this time his new girlfriend would replace her. She swallowed back the hurt. “This Sunday?”
Roger hesitated then suddenly seemed more relaxed. He must have taken a few deep breaths. “Yes. I figure they should have a little vacation time after all the crap we put them through.”
We? Lucy’s face burned. He’d put them through all the crap and, now had the nerve to thrust part of his guilt on her. “Right. You’re going to take the kids, dump them with your parents and parade your new girlfriend all over the beach.”
Tanji was girlfriend number three, or was it four? At least Cynthia’s death hadn’t seemed to affect his libido much.

Come join the adventures of the Wild Blue Detective Agency in the Wild Blue Mysteries.
Both The Bookstore Lady and The Mystery Lady are available through Books We Love!
You can also find me at my website Pens, Paints and Paper and my blog!

Tuesday, September 2, 2014

MAKE LOVE NOT WAR - MARGARET TANNER


THE TURBULENT SIXTIES - I WAS PART OF IT

At the risk of revealing my age, I have to say the 1960’s was my time. Mini skirts, stilettos (I’ve bunions to prove it), beehive hair dos, I couldn’t quite manage that, although I did tease the life out of my hair and regularly put in coloured rinses, French Plum or Rich Burgundy, were the colours I favoured. I can remember when the Beatles made their first visit out to Australia. A couple of girls I worked with were lucky enough to get tickets to their concerts, (we hated them, of course), they came to work the next days minus their voices, and stayed that way for about a week, because they had screamed so much.

We used manual typewriters in those days. One original and four copies of everything we typed. I don’t know how many blouses I ruined because I got ink on the sleeves from changing the typewriter ribbon or the black stuff off the carbon paper.

During this time the Vietnam War loomed in the background. The Australian government introduced conscription. It was in the form of a ballot, or the death lottery as many called it. All twenty year old males had to register, their birth dates were put into a barrel and a certain number were drawn out, and those young men had to report to the army and subsequently many of them were sent to Vietnam. This of course caused severe bitterness and division in the community, and even though the government denied it, was subject to abuse and unfairness. Rich men kept their sons at university so they didn’t have to go.  Conscientious objectors were thrown into prison. Only sons were called up, yet families with two or three eligible males didn’t have any of their boys called up.

I only had one brother, and I can clearly remember my father (a World War 2 veteran) vowing, that if his son got called up, he would protest on the steps of the parliament with a placard on his back.
 
There were protests marches, anti-war demonstrations, and things often turned violent. Not that I went to any of the protest marches, but a cousin of mine did and got trampled by a police horse. A very turbulent time in our history and I was right in the middle of it.
 
My novel, Make Love Not War, from Books We Love, has been reduced to just 99 cents on Amazon for the month of September.

BLURB:  MAKE LOVE NOT WAR
Make love, not war was the catch cry of the 1960’s. Against a background of anti-war demonstrations, hippies and free love, Caroline’s life is in turmoil. Her soldier brother is on his way to the jungles of Vietnam. She discovers she is pregnant with her wealthy boss’ baby, and her draft dodger friend is on the run and needs her help. 

 



 

Monday, September 1, 2014

THE TRIALS AND TRIBULATIONS OF TIME TRAVEL (and of the author who writes about it) by Shirley Martin

Saturday, August 30, 2014

Eighteenth Century Women’s Fashion: A Heroine’s Journey -- Kathy Fischer-Brown

“Vain trifles as they seem, clothes have, they say, more important offices than to merely keep us warm. They change our view of the world and the world's view of us.”-- Virginia Woolf

 Linen shift
Linen shift
As a child at the beginning of Lord Esterleigh’s Daughter, the heroine, Anne lives a poor existence with her mother in rural England. Her clothes are simple, made from linen and/or wool that was spun and woven at home or by the local weaver. Throughout the trilogy, her clothes change as her lot in life changes, reflecting her station in life and her views on the world and how she chooses to act.
In the 18th century, a woman’s clothes, regardless of her status, consisted of over-the-knee stockings knit from linen or wool, and held up by garters. Her basic undergarment was the linen shift, which also served as a nightgown. Stays, stiffened with whalebone or wood, provided support. Pockets were worn suspended around the waist with ribbons or cord under her petticoats, which had slits in the side for access. Skirts were worn in a varying number of layers. Some skirts were sewn or pinned to the bodice, while others were worn interchangeably with bodices or jackets. Bodices were fastened by pinning, sewing or lacing. (Women did not wear buttons until a later period, with some exceptions.) As a practical
Embroidered pocket
necessity, women also wore caps made of linen. Even the youngest children of the period dressed like miniature adults, with little girls squeezed into stays, or "jumps," and smaller versions of the clothing her mother would have worn.

 
While Anne lives with her father, Lord Esterleigh, in London and at his country estate, she wears clothes and dresses her hair in a matter befitting the daughter of a marquess in the late 1760s. Fashion of the English upper class was influenced heavily by what was worn at court. Fabrics included silks, brocades, cotton, velvet, linen, and wool. In this upper crust of society, cloth was often imported and the garment was cut and sewn by dressmakers (not ready-made, hanging on a rack in a shop).

Book Two of the trilogy, Courting the Devil, takes place in
Upper class women
upstate New York under threat of impending war as the northern British army makes its advance from Canada toward Albany. Here, Anne lives a hard life as an indentured servant. As it was in early childhood, her clothing is homemade of linen, wool, or a combination of the two called linsey-woolsey. Cotton fabric was rare in the north. 


For reasons of simple economics, her skirts, like those of many poor women of the era, are worn shorter than their wealthy counterparts. Her shift is made of unbleached linen, much coarser that the same garment she wore as a member of the English aristocracy. Outer skirts, or petticoats, and jackets (with or without sleeves) are dyed with colors found in local plants, berries and tree bark. In winter, she layers her skirts for warmth. Anne wears a linen mob cap that keeps her hair as clean as possible, especially when the weather makes it impossible to bathe. A cap is also vital in helping to keep her hair from catching fire, a common cause of serious injury or death among women of the period.

Used by permission of the Pocumtuck Valley Memorial Association, Deerfield, Massachusetts
Wedding gown
Early in the third book, The Partisan’s Wife, Anne and Peter are married at the American encampment during a lull between the two battles we now refer to as Saratoga. White wedding gowns didn’t come into fashion until a much later date. During the colonial and Revolutionary Era, the gown a woman was married in would have been a practical, functional outfit, something she would wear a lot more than once. Anne’s wedding dress is blue (with white stripes), quite old, and made of fine linen. She carries a bouquet of late blooming asters and wood marigolds that would have been found in the area. To round out her bridal attire, she wears a fichu (a neck kerchief worn around the shoulders and tucked into the bodice) of an almost gossamer muslin and a borrowed cap with ribbons embroidered with forget-me-nots.

Cover art by Michelle Lee
Later in the story, while Anne and Peter are in New York, Peter commissions for her two new gowns and purchases the red hooded cloak seen on the cover of the book.


~*~

I wish to thank the good people at the Pocumtuck Valley Memorial Association, Deerfield, Massachusetts for permission to use some of the photos in this article.Other photographs are courtesy of the Jas. Townsend & Son catalog.

Friday, August 29, 2014

CHARACTER OVERLOAD






I recently reviewed a book by an indie author who was a gifted natural story-teller. Her book centered upon a true, long-ago tragedy in a small, tight-knit backwoods town.  Unfortunately, I found the story difficult to follow, because of frequent POV shifts, sometimes as often as every few paragraphs.
 
There was usually a double drop between these shifts, but she also had a habit of changing voice. Sometimes the new POV was first person, sometimes third. Occasionally, I found myself stumbling from first person to third person subjective, followed by bursts of the venerable 18th Century third person omnipresent. Many of her narrators were unreliable, and there were many, many characters, almost an entire town. Few were well fleshed out. However, each one, Rashomon-like, had a unique piece of information about the pivotal event.

 
As compelling as the story was, I’d have to say "thumbs down." Her tale was interesting and important—and probably remains inflammatory, even years later. People probably still remember where they were on the terrible day when a labor dispute went terribly wrong and police waded into strikers and killed someone.

 

POV shifts are tricky business, even in the hands of more more skillful writers. If I’d been her editor, I know our discussions would have been difficult, because she clearly had problems making a choice about who the main characters were. Although it might have created other difficulties in telling the story, the loss of focus that resulted from all that switching around made my job as a reader far more difficult than any author has a right to ask.  

 

My diagnosis? The story hadn’t jelled when she began to write. In her rush to get the inspiration down, to cover all the bases, she created a huge maze of information and very nearly couldn’t unravel it herself. A novel, (which is, after all, an artificial creation and not reality) needs a core character(s) and a core point of view, a place for a reader to stand among whatever whirligigs of narrative and event the author can contrive. 

 

So, if you are thinking of finally writing “that book,” definitely work out who/what/where/when before you get going. Laying the groundwork, pouring the foundation, you might say, is the place where a writer really ought to start.

 

 

 
 
 
Juliet Waldron
See all my historical novels:
 
 

Wednesday, August 27, 2014

THE THRILL OF STARTING A NEW NOVEL by Vijaya Schartz


I just started writing Book 6 in the CURSE OF THE LOST ISLE medieval fantasy romance series, and I am so excited about it. I do not have a title, yet, but I have a plot, and strong characters. This novel is going to take the reader on the greatest adventure of the middle ages, the First Crusade.


The heroine is Melusine's sister Palatina, an erudite with a curious mind. At the end of Book 2, Pagan Queen, she was fifteen, and for making a dreadful mistake, she ended up with a curse, condemned to guard her father's treasure in a secret cave in the Pyrenees... until a knight of her own lineage comes to claim it for a worthy cause. This is definitely a romance despite all the action. I have a yummy hero in chain mail, a shiny French Christian knight, Pierre de Belfort, and I'm already falling in love with him, so I know you ladies will love him, too.

I'm following the historical frame to the letter, since the story of the First Crusade is well known and well documented. Like in the other books, I also rely on the legends to fill the gaps and explain some of the many fantastic feats reported by the historians of the time. Like the other novels, this one will be filled with battles, adventure, intrigue, heroic feats, and deadly villains.

In this book, however, I'm turning the tables on the reader. This is a departure from the previous stories. While Melusine remained stubbornly Pagan despite the religious persecutions, Palatina is more inclined to explore the new Christian faith. For that she will incur the full wrath of the Pagan Goddess.

But I don't want to reveal too much. I should be finished writing in early 2015. That gives you time to catch up with the other books in the Curse of the Lost Isle series.

Latest release from Vijaya Schartz:
Chatelaine of Forez
Curse of the Lost Isle Book 5
Medieval Fantasy Romance
from Books We Love Limited
in kindle:

1028 AD - Afflicted by the ondine curse, Melusine seeks the soul of her lost beloved in the young Artaud of Forez, who reigns over the verdant hills south of Burgundy, on the road of pilgrims, troubadours and merchants. But this dark and brooding Pagan lord is not at all what she expected or even hoped. He knows nothing of their past love, her Fae nature, or her secret curse. Must Melusine seduce and betroth this cold stranger to satisfy the Goddess and redeem her curse?

The gold in the rivers instills greed in the powerful, and many envy the rich Lord of Forez, including his most trusted vassals... even the Bishop of Lyon. When Artaud’s attraction to Melusine makes them the target of a holy hunt, will she find redemption from the curse, or will they burn at the stake?


Each book in the series can be read individually, but if you are like me, you'll want to read them in the right order. Here it is:

Book 1 - Princess of Bretagne http://amzn.com/B007K1EGAM
Book 2 - Pagan Queen http://amzn.com/B007Z8F7IA
Book 3 - Seducing Sigefroi http://amzn.com/B008LW18EG
Book 4 - Lady of Luxembourg http://amzn.com/B00BO0MYX6
Book 5 - Chatelaine of Forez http://amzn.com/B00I3T9VYG

Special edition box set of the first three novels (Curse of the Lost Isle) also available for a bargain price. http://amzn.com/B0091HX7EE

"Well written and factual, the book weaves history with fantasy and magic into a story that I could not put down." 5-stars on Amazon

HAPPY READING!

Vijaya Schartz

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