Saturday, July 21, 2012

SEDUCING SIGEFROI is out - by Vijaya Schartz

Yes, this is the definite cover, and I'm very happy with it. The heroine looks like a dark water creature and wields a sword. He looks fierce, not as red-headed as the real Sigefroi, but so yummy, who cares?

SEDUCING SIGEFROI IS OUT IN KINDLE!

Luxembourg - 963 AD - To offset the curse that makes her a serpent from the waist down one day each month, Melusine, exiled Princess of Strathclyde, must seduce and wed a mortal knight, the shrewd and ambitious Sigefroi of Ardennes.

Sigefroi, son of the Duke of Lorraine, suspects Melusine is not what she appears, but her beauty, her rich dowry, and her sharp political skills serve his ambitions. He never expected her to soften his stone-cold warrior heart.

So close to the Imperial court, dangers and intrigue threaten Melusine. War looms on the horizon, a Mermaid was sighted around Luxembourg, and Sigefroi’s bishop brother questions her ancestry. If anyone ever suspects Melusine’s true nature, she will burn at the stake...

FIND ALL THE BOOKS IN THE SERIES SO FAR:

Book One - PRINCESS OF BRETAGNE: http://amzn.com/B007K1EGAM
Book Two - PAGAN QUEEN: http://amzn.com/B007Z8F7IA
Book Three - SEDUCING SIGEFROI: http://amzn.com/B008LW18EG

LADY OF LUXEMBOURG (Book 4): is scheduled for release later this year.

Grab it, like it, give it some love with "likes" and tags.
Hope you enjoy the read.

Vijaya Schartz
Blasters, Swords, Romance with a Kick

Friday, July 20, 2012

Ten Handy "Recycled" Tips

Hi, Ginger here, and I liked this post so much on my own blog, I decided to share it here.  Hey...tis the season of TV reruns...why not blogs?  :)

For someone who has been seriously writing for the past dozen years, I've absorbed a thing or two..  The very first thing I learned is the vast difference between telling a story and being a novelist.  You must engage the reader and make them want to become part of your story, and here are a few things you can do to insure that:

1.  Hook the reader from the beginning.   It's a proven fact that if people are bored with the opening of your story, chances are they aren't going to even finish the first chapter.  Your story must be engaging...yang the reader in and hold them fast with a desire to find out more.  Make them want to put on the character's shoes and walk in them.  Don't make them guess whose POV they're reading from, make it clear, and if you change to another, make that even clearer.

2.  In order to accomplish number one, there are few more fundanmentals you need to apply.  Don't TELL the story, SHOW the reader what's going on.  The difference:  If you've amply displayed emotions, the reader is going to feel them.  Don't just TELL the reader  the heroine is crying, SHOW them the pain shooting through her heart, the emptiness in the pit of her stomach...give them someone with which they can identify.  Make them remember what it felt like to lose their first love...in other words, let them experience the pain.

3. Avoid redundancy.  The reader doesn't need to be told on every page what color the characters eyes are or that the courch is on the far wall.  As an author, I know it's easy to duplicate information you've already shared, so reading your story aloud helps you discover places where you've echoed words or information.

4.  Speaking of words echoes...this is one of my pet peeves.  I detest reading the same word over and over in the same paragraph.  I realize there are instances where the word is duplicated for a definite purpose, but most of the time all word echoes do is indicate to the reader that you're a lazy writer who doesn't want to take the time to find another word with the same meaning. 

5.  My newest "learn" is to avoid unnecessary verbiage.  For example, if you are firmly in someone's POV, it is not necessary to tell the reader who is doing the feeling, hearing, seeing, etc.  As in using word echoes for emphasis, sometimes, you will need to stress the obvious, but in most cases, using "he heard, he felt, he saw, he watched" can be eliminated. See the difference:
She watched him unfasten his belt and saw him drop his pants to the floor.
He unfastened his belt and dropped his pants to the floor.
If you are in her POV, then we already know who is watching and seeing, so why expose the obvious?

6.  Watch your apostrophe's.  It's and its aren't exactly used the same way as other possessive words.  Your and you're also take on entirely different meanings.  Their and they're are another great example of two meanings, and then if you add in "there" then you have a triple threat.  These mistakes are hard to catch even if you proofread till the cows come home.  As an author, our mind reads what we think should be there, so another important tool in writing a great novel is having an aswesome critique group or beta readers.

7.  Using "that" in sentences where you don't need it, is common place. This simple mistake was the main reason "that" a very good story was rejected.  If you read the sentence again, you'll notice "that" "that" is not even required.  The rule of thumb...re-read the sentence without "that" and if it makes perfect sense, then delete "that."

8.  Avoid "ly" words when possible.  Sometimes they are a necessity for emphasis, but usually, if you try, you can find a stronger verb to use.  Example:  She stepped loudly across the floor, can be She stomped across the floor.  Or how about, he spoke softly can be he whispered.  Get the idea?

9.  Spell checker won't help in instances where you've used a correctly spelled word.  Like the apostrophe dilemma above, hear/here, there/their, to/too, then/than, and a thousand other examples.  The English language is one of the most difficult to learn, and even if you know it, it's still a challenge.

10. Don't go crazy with punctuation.  I've discovered that house rules are what dictate commas, semi colons, and exclamation points.  I was surprised upon re-releasing oneof my novels to find the editor for the current house put back in every comma the previous house had removed.  Even though I was advised semi-colons are not appropriate for fiction, you'll find them in my current version.  House rules rule, and that's not being redundant.  :)

Just for your information...some of us dislike internal thoughts, especially in third person, unless they are done extremely well.  For me, because of the sudden tense change, they pull me right out of the story and make me wonder why the author didn't just paraphrase.  See what you think:

Jasmine craned her head to the side, allowing Damon's lips to trail his lips along her throat.  Boy, does that feel good.  I hope his kisses are this good.

Jasmine craned her head to the side, allowing Damon's mouth to trail along her throat.  Her body tingled in anticipation, warmness gathering in her very core. Would she be as impressed once their lips met?

Oh, and one last tip...Avoid unnecessary tags.  If there are only two people in the room, the reader can usually figure out who is speaking.  Mary said, John said, Mary said, John whined, become boring after a while.  If you feel you must use a tag, use one showing action.  Have the character do something to identify them before or after the dialogue.  Mary crossed to the sofa...John lit his cigar...Mary moved to the window, admiring the bounty of color in the garden.  Instead of boring tags, you can add visual scenes that enhance the story.

Okay...I could probably list ten more, but I'll save those for another day.  Happy writing.

Wednesday, July 18, 2012

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Thursday, July 12, 2012

Working on the cover of SEDUCING SIGEFROI

After PRINCESS OF BRETAGNE and PAGAN QUEEN, comes the third book in the Curse of the Lost Isle series, SEDUCING SIGEFROI.

You wouldn't believe all the work Michelle  and Judith went through, researching the perfect characters for the cover. In this case, Sigefroi of Luxembourg, the hero, is a real character, the founder of a dynasty that became very influential later in history. As such, there are representations of Sigefroi on stained glass windows, and written descriptions of him in history books.


Sigefroi had red hair and light hazel eyes, which was a common thing for a germanic knight of the period. Finding a red-haired cover model to fit the bill, however is an impossible task.

I've given my opinion on several pictures and sent pictures I found that might work, in order to help, but I realize how difficult it is.

As for the heroine, Melusine the Fae, she is even more difficult to pinpoint. She is an ondine. She is a woman most of the time, but one day each month she becomes a mermaid, a serpent from the waist down. She sometimes dresses in chainmail, rides a white horse, and wields a magic sword. Here is the best representation I could find of her transformation at sunset.
 Oh, and here is a picture of the Bock of Luxembourg, a castle (now in ruins) at the top of a cliff. Can you see the Roman bridge at the very bottom? That's where Sigefroi and Melusine meet for the first time.


I can't wait to see what the very talented Michelle Lee who designs the book covers for Books We Love will come up with. But judging by what she did with the previous covers, I know it will be great.

Vijaya Schartz
Swords, Blasters, Romance with a Kick
Find her books on Amazon HERE




Of course, little is known of this first Sigefroi of 963 AD, since the written records of the period are few. Still, there is a generalogy, and a few land deeds, and then there is the legend.

Monday, July 9, 2012

Sizzling Summer Spectacular Weekly eBook Winner





Our first weekly winner is Theresa Dell! Theresa, please visit our website at 


and choose the eBook or Spice eBook you'd like to receive. Email the title to 

bookswelove@shaw.ca

All entries, including weekly winners, are in the running for one of five Amazon gift certificates to be given away in July, August and Sept., plus two gift baskets. See the prizes and enter here:  http://bookswelove.net/contest.php

Important notice: Winners must subscribe to Books We Love's monthly newsletter. (No spam, just a monthly email with new releases and contest announcements. Find the simple entry form on the contest page.)

 All emails will be verified as subscribers before being announced as winners. Prize winners announced in newsletter, eBook winners announced on our blogs.

Good Luck and Happy Reading!

Friday, June 22, 2012

How Amateur Astronomy Connects to My Writing


Several years ago when I struck up an interest in amateur astronomy, my passion for that soon became mirrored in some of my books.  In the beginning, I took a basic “backyard astronomy” class at a local community college and used my dad’s old binoculars, which weren’t too bad, in terms of their clarity.  (I even identified a few of the closer galaxies in them—a thrill for a beginner!)  Soon my basic education wasn’t enough to satisfy me, and I joined the Rose City Astronomers here in Portland, Oregon.  I purchased“giant” binoculars, specifically intended for stargazing—the kind sold in catalogs for telescopes.  And I chose the binoculars instead of a telescope because I loved the flexibility in being able to sweep the skies, as opposed to staying “stuck” in one part of it.  (The binoculars were very heavy, and eventually I purchased a tripod-type mount for them.) 

I also bought astronomy manuals, star charts, and the red-lighted flashlights for reading the charts.  (White light interferes with one’s night vision.)  After about a year, I earned the Messier Binocular Deep Sky award for having identified 100 deep sky objects.  What a challenge and what a thrill!  For several years, every summer, my husband and I attended their annual Star Party in the high desert of Central Oregon, many miles away from the closest town.  The night skies there, the darkest I’d ever seen, were spectacular, especially the Milky Way with its myriad of glittering star clusters in all sorts of fascinating shapes and forms.  The event, attended by several hundred other astronomy enthusiasts, also gave me the opportunity to schmooze with others who shared my passion. 

Well, I could go on and on, but the point is:  I wanted to share my love for astronomy in my books as well, hopefully give my readers a taste of its glories.  And so in Her Sister’s Keeper, my most recent book with Books We Love, I’ve created a romantic scene that portrays a summer meteor shower.  Herein my heroine Logan R.N. and the sexy pediatrician, Dr. Zack whom she works with, are camped out together on a mountain hillside while they watch this breathtaking show of celestial fireworks.  There, far away from city lights—plus the other campers--they ooh and aah at the trails of light streaking through the dark skies.  They also share kisses every bit as breathtaking.

After Her Sister’s Keeper, I published additional books with astronomy scenes, plus a handful of articles with astronomy-related themes in national magazines.  And I will continue to portray the splendor of the night skies in my writing—a celestial treasure trove, really—whenever the project seems right for that. 

So, if you’re planning on a writing venture in the near future, take stock of your passions and “write what you know”—even better, write what you love.  Your readers will be glad you did—and so will you!

  
Logan Corbett, registered nurse, suddenly becomes the guardian of her 10-year-old sister, Kim. A former prizewinning gymnast, the girl was seriously injured in the same plane accident that killed their parents. Logan admits she's overly protective of Kim, but only wants what she thinks is best for her. Dr. Zachary Dellinger, a pediatrician at the hospital where Logan works, suggests that Kim should attend a summer camp for children with special needs. Logan agrees, but on one condition--that she will volunteer to be the camp nurse so she can keep a close eye on Kim. Under starlit skies and breezy summer days, Logan struggles with her growing attraction to the handsome pediatrician--all the while, battling the urge to hold on too tightly to Kim. Will Logan ever be able to let go enough to allow love into both their lives?

"Her Sister's Keeper is a wonderful story of sisterly love and devotion. Delightfully written characters are a key part of this believable and enticing tale...a highly recommended read for contemporary romance readers..."
-Penny, Fallen Angel Reviews

A wonderful tale of the ability not only of the adult, but definitely for the children to survive life's foibles. You will gain a better understand of overcoming adversities whether you are young or old.
--Rendezvous Magazine

Logan Corbett, registered nurse, suddenly becomes the guardian of her 10-year-old sister, Kim. A former prizewinning gymnast, the girl was seriously injured in the same plane accident that killed their parents. Logan admits she's overly protective of Kim, but only wants what she thinks is best for her. Dr. Zachary Dellinger, a pediatrician at the hospital where Logan works, suggests that Kim should attend a summer camp for children with special needs. Logan agrees, but on one condition--that she will volunteer to be the camp nurse so she can keep a close eye on Kim. Under starlit skies and breezy summer days, Logan struggles with her growing attraction to the handsome pediatrician--all the while, battling the urge to hold on too tightly to Kim. Will Logan ever be able to let go enough to allow love into both their lives?

"Her Sister's Keeper is a wonderful story of sisterly love and devotion. Delightfully written characters are a key part of this believable and enticing tale...a highly recommended read for contemporary romance readers..."
-Penny, Fallen Angel Reviews

A wonderful tale of the ability not only of the adult, but definitely for the children to survive life's foibles. You will gain a better understand of overcoming adversities whether you are young or old.
--Rendezvous Magazine

Thursday, June 21, 2012

Joan Hall Hovey - Art Lessons Granny Taught Me

Art Lessons Granny Taught Me
By Joan Hall Hovey
This essay, in large part was my first published story.  It was published more than 30 years ago in Home Life Magazine.  This updated version was published in Mystery Readers Journal.  I hope you enjoy it. 
The illustration is by Padgett.
***
                She was 71 and lived alone in the cluttered attic of an old, two-story frame building with her easel, her paints, her brushes and sometimes, me. Her name was Lillian May (Watts) Hall.
               
 When neighbors spoke of my grandmother, they said, “A nice woman.” Then frowning and in whispers, the added, “but kinda funny.”  And in the early fifties, to the people who lived in our small, unsophisticated town, there was indeed something ‘kinda funny’ about an old lady who sat alone in her attic room and painted pictures.  At first glance, she was not unlike a million other grandmothers of her time - the same iron-gray hair drawn back in a bun, wire-rimmed glasses, a dark, high-buttoned dress with long sleeves and detachable lace collar, and a cameo brooch clasped modestly at her throat -  but there the similarity ended.  Granny, a tall, angular-boned parcel of nervous energy, was not the average storybook grandmother.
                Every day Granny would lose a prized possession.  It might be a valued brush, a particular tube of paint or a piece of canvas.  And while I stood on the sidelines, she would tear through her private disaster area, sending papers, books, talcum-coated hairpins, an unmated stocking, and her pink garters helter-skelter – all the while looking remarkably like an enraged bird.
                Almost always she would find what she was looking for, but occasionally I would be the one to spy the object of her frenzied search.  “Here it is, Granny,” I’d say, proud of my Sherlock Holmes tendencies.  She would smile sheepishly, relief flooding her face. 
                “Now, wasn’t that foolish of me to get so upset,” she would apologize.  “I’m just a silly old woman, dear.  Don’t pay me any mind.”  Then, calm and serene once more, she would begin the gentle strokes of her brush on the canvas.
                I often stood at the small, rickety table beside her, a piece of Bristol board and a brush in front of me.  I was even permitted to use the valued paints (which she could barely afford for her own work) so that I could play artist.
                After hours of painstaking work, Granny would set her brush to rest, stand back with a critical eye, and appraise the completed painting.  When it had dried sufficiently, and she was satisfied that it was of some worth, she would don her coat and hat and with the painting under one arm, off the two of us would go, door to door, in an effort to sell it.
                She walked with a brisk, sure step, and many times I found myself breaking into a run to keep up with her.  But we never had to walk far before making a sale.  Although neighbors found her way of life strange, they liked and bought what she painted.  It was hard times, and the return for her efforts was meager, yet sufficient to pay the rent on the attic, buy a few groceries at the corner store, and keep the coal bucket filled during the long winter months.
                I had a friend whose grandmother spun for her many fascinating tales of her girlhood.  But even there, Granny fell short.  In fact our roles were quite reversed.  It was I who spun the tales for her.  One story still causes me to cringe when I remember it.  It was during summer vacation and I had just returned from a day at the beach. 
                “Granny! Granny!” I shouted excitedly as I flung open the door.  “A man fell off the diving board at the lake today and I jumped into save him.  He almost pulled me under with him, but I punched him on  the jaw and knocked him out, and then I swam back to shore with him under one arm.  Everybody on the beach cheered,” I finished breathlessly.
                “Oh, my dear child,” Granny said with concern.  “You certainly did have a busy day, didn’t you?”  Then abruptly the concerned expression changed to amusement and she broke into a gale of laughter.  Rocking back and forth in her wicker chair, she laughed and laughed, absolutely delighted, but not for a moment fooled.  Every few seconds she would remove her glasses and wipe the tears from her eyes. By this time I was writhing inwardly and trying in vain to twist my story into something more plausible, but it was no use.  I was caught in the web of my lie. (Lesson 1. If you want your reader to suspend disbelief, you must make sense.)  I suspected she knew even then that I had the makings of a storyteller.  And I’m absolutely certain she knows now.
                Granny has not been with me for a good many years, and indeed I am a grandma now myself.  In fact, a great-grandma.  The year I turned fifteen, I was working as a housemaid when the telephone call came telling me that Granny had been rushed to the hospital in an ambulance.
                The hallway was in flames, making escape impossible.  Granny had climbed out of the dormer window and crouched on the ledge below it.  A passerby heard her cries for help and called up to her to stay there until he returned with a ladder.  Then the man fled to put in a call to the fire department.  Whether the heat from the flames became unbearable or whether Granny simply panicked, I’ll never know.  But she didn’t wait for the man to return with the ladder.  Instead, she jumped from the ledge  and fell in a crumpled heap to the ground below.  Her back was broken.  In two months she was gone.  I stumbled around, lost, for a long time.  I felt betrayed by God.  And then I grew up.  After a fashion.  But the child in us never goes far.
~*~
                In my third suspense novel (I have written five, the last The Abduction of Mary Rose) Chill Waters, my heroine deals with loss and betrayal on several levels.  Following the breakup of her marriage, after learning of her husband’s infidelity, Rachael Warren retreats to the old beach house in Jenny’s Cove, where as a young girl she lived with her grandmother.  It is the one place where she had always felt safe and loved.  But she is about to learn that ‘a safe place’ is mostly an illusion.  And that evil can find us no matter where we go.
                Jenny’s Cove is located in St. Clair, a fictional St. Andrews, a small town in New Brunswick, Canada.  St. Andrews lies on the Passamoquoddy Bay, and is close to the American border.  A place of charm and beauty, St. Andrews/St. Clair is a magnet for tourists and artists alike.  The beach house in Jenny’s Cove, however, is isolated.  Waves crashing against the rocks, and the sudden summer storms that visit Jenny’s Cove add to that sense of isolation. As a child, Rachael had found the violence of the storms and the sound of the sea comforting.  As a woman stalked and terrorized, that will change.
                I like the blending of light and dark in a novel.  Using shadowing to enhance dramatic effect, as in a painting.
 
               I also enjoy writing about women who struggle against great odds and triumph, as did my grandmother.  But, as in life, it’s never easy.  In books, it must be even harder, damn near impossible.  And in the suspense novel, there are always unseen dangers.
                My own life provides fodder for my imagination.  But it is my grandmother who taught me the art of concentration.  When she was painting, the house could have fallen down around her and she would have paid it little attention.  You knew not to talk to her then.  Only the brushes, canvas and the work at hand held any reality for her.  All else faded into the background.  Her focus was that of a child’s in the midst of intense ‘play.’  (If you have ever watched a child at play, and we all have, you know there is no one quite so serious.)  and she never stopped learning.  It was not about fame or fortune for her, as it is not for her granddaughter – but about the work, and the pursuit of excellence.  In her seventies, she was still taking art lessons when she could afford the few coins, from a Mrs. Holt on Elliott Row, a respected art teacher in Saint John, New Brunswick.   Sometimes she took me with her and I’d wait in the foyer.  There were always books to read.
                As Mrs. Holt’s lessons were important to my grandmother, my grandmother’s were crucial to me. 
                To quote author Willa Cather, “Most of the basic material a writer works with is acquired before the age of fifteen.”               
                I believe that’s true.  


---------------------

Chill Waters

Bloody Dagger Award Winner


WHAT IF EVIL VISITED THE ONE PLACE WHERE YOU FEEL THE MOST SAFE?


Following the breakup of her marriage, Rachael retreats to the old beachhouse in Jenny's Cove, where she once lived with her grandmother. It is the one place where she had always felt safe and loved. Devasted and lost, Rachael longs for the simplicity of her childhood. 
But Jenny’s Cove has changed. From the moment of Rachael’s arrival, a man watches. He has already killed, and mercilessly will do so again. Soon Rachael becomes a target for a vicious predator whose own dark and twisted past forms a deadly bond between them.
And sets her on a collision course with a crazed killer.


". . .you will find yourself with cold fearful chills running up and down your spine as you race to get to the ending."  ~ Kathy Thomason, Murder & Mayhem

"Chill Waters is a sure bet for those who like suspense thrillers with a hint of romance. It is easy and fun to read. Ms. Hovey creates a warm, cozy setting that seems to keep danger at bay. But just as you get comfortable, terror finds its way in. She weaves the tale tighter and tighter until you are neck deep in Chill Waters." ~ S. Loper-Herzog, MysteryRadio.net  




Friday, June 15, 2012



Thanks Michelle for the gorgeous new covers for my Kelly McWinter PI series.  Looking at Jimmy on these covers definitely helps keep me inspired to get Deadly Consequences, book three, coming in August/September finished. 

Writing a series can be inspiring and fun, but there are some pitfalls.  It's so easy to fall into forget that your reader doesn't necessarily know all about that fantastic new nightclub you described so vividly in book one. Oh yes, and the reader doesn't know that your heroine absolutely cannot stand pink, or that your hero is allergic to shellfish.  Oh yes, lots and lots of easy little traps to fall into. 

Of course, as with all writing, there is always the temptation to go do something else -- like me -- over here visiting on the Blog instead of writing.  Sigh!  Nice to chat with all of you, but if we're ever going to see Book 3, I guess I'd better put my nose back to the grindstone.  Enjoy Kelly McWinter - a/k/a Jimmy Thomas. 

Behind the Cover: Images selection

By Michelle Lee
BWL Art Director

I’ve been called a Cover Goddess a couple of times, and as typical of me, I shrugged it off.  But now, I have decided, that if others are going to award me Goddess-ness, then I am going to start using it. So in true Goddess fashion, I have a few proclamations!

  1. No professor shall require a term paper to be written for any class that I am attending during my graduate coursework.  All term papers are to be voluntarily done for extra credit.
  1. No final shall be comprehensive.  In fact, finals shall be abolished!
  1. This crap with “self-teaching” is not going to happen anymore.  I am paying you, as my professor, to instruct.  Don’t tell me my learning is going to be self-guided.  If I wanted that, I would just buy the textbook and read it.
Wait … what?  You just want to hear the ones in regards to cover art.  You sure?  Cause I have a few more.  Well, okay …

Cover Art Proclamation 1:

No character, from this day forward, shall have hair.  None.  No wavy golden locks, no straight raven tresses.  Nadda, nothing.  Zero, zilch hair.

Number 2 …

What?  I can’t proclaim that characters can’t have hair anymore?  Why not?

Artistic freedom!  The heck you say!  But I am a Goddess … but, but …

*Insert several minutes of whining and whimpering*

Well fine then!

I guess I will return to the original topic I meant to address this blog post – image selection and how they relate to covers and artists.

The images that are picked for a cover are crucial.  CRUCIAL I say.  For, after all, they are the core of the cover.  And the cover is what a reader sees first.  Before the blurb, before the excerpt, generally they see the cover.

So you want a nice one.

You also want a sane cover artist.  S.A.N.E.  Got that?  Which means when you are selecting images to suggest, think about what you are asking for.

What I mean by that is, if the image has a woman with fly-away hair (you know what I am talking about, where it looks like a fan was turned on during the photo-shoot) and you don’t like the background, find a new image.  Isolating hair in images is tricky, so it is better if it lies fairly flat in the image.

Also, don’t pick a real dark image of a person, where they fade into a black background, and expect it to work with a sunny day beach scene behind him/her. 

It’s hard, as an author, to pick images.  I know – I am also an author.  So I know that there is a certain way a character is supposed to look, and often times, stock art is just too limited in options.  But doing photo-shoots for each and every e-book an author does is not cost-effective or practical.

So authors have to, in some ways, settle for what is available.  Which can be hard.

But if you take the time to make sure and pick images you are happy with, and that are easy to work with, you and your cover artist will both wind up happy with the finished product.

To that end, I am offering just a few suggestions, off the top of my head:

  • Don’t pick images with fly-away hair (see above) unless you LIKE the background
  • Don’t pick dark images, with dark background, and expect a bright background to be put in replacing it.  (Also see above)
  • Think about how many images you are suggesting.  Often, most covers have 1-3 images.  Any more than that gets costly.
  • Think about the perspectives of the images.  If you are looking flat on at a couple, and upward at the background you want behind them, it isn’t going to work together.
  • Make sure you know if the image is a photograph or computer generated.  Some times, a computer generated background can work in a cover – other times, it just doesn’t. 

For example, here’s one where it does work:


  • If you KNOW you are doing a series, and using the same characters, make sure there are other images of the SAME model that you like for future covers, and that there are enough for however many books you are planning.
  • If you know you are doing a series, think about the style of image, and make sure you can find other images in the same style to match your future characters.
  • Consider your images carefully – have you seen it/them on a ton of other covers?  If so, you should probably find something else unless you are just absolutely, completely in love with that image and it just fits perfectly and you have to have it or the world will just end in misery.
  • Be open to changes … I can’t stress this one enough.  Just because you suggest an image does not mean that it will be used.  Often times there is a very good reason why the cover artist will not use it (such as the sizes not being right, it is more long than tall – such as a woman laying down, it doesn’t match with the other images you selected, it can’t be isolated to fit with the other images, or there are terms that don’t allow for the image to be used on commercial items)
  • Speaking of isolating images, when you pick an image of a person, you want at least one side of their body to fully be in the image, not both sides running off of the image.  That allows for the person to be isolated from the background and merged with other images.  (Unless, that is, you just want that ONE image on your cover).
For example:



The image for CODENAME: ROMEO is one that I would not be able to move to the side.  Whereas the woman in WILDING NIGHTS I could move around the cover as needed.


  • If you are want the person moved into another background, be careful that you don’t pick an image with something from the foreground blending into the image.  For example, grass or wheat stalks, snow or rain, etc.  Both of these images work because they fit the changed background.  Had the author wanted either of these women at the beach, it wouldn’t have worked.



Well that’s all that I can think of right off.  Hope it makes selecting images just a little bit easier!

As for how I work them together, well, it’s not really something I can put to words.  I have to look at the angles/perspective of images, the colors and brightness/contrast to them, and just play around some times to get the right fit.

I do keep in mind previous covers I have done for the author, and also the genre. The hardest covers for me are mysteries and dark themes, since I like doing light covers.  I like happy couples – and especially SEXY couples.  Which can cause some problems, since I like sexy images, and some romances are sweet.  (So half-naked people just don’t work).

When I select images, I also keep my own “do/don’t” list in mind.  I also look at colors, and sharpness/starkness of images.  It a couple has almost a harsh lighting on them, then I won’t put them on a real soft focus background.  

Also, while brown/red hair can be switched fairly decently to the other, turning an image of a blond into a  raven haired person, vice versa, etc isn't that easy.  So I try my best to find images that fit the hair color as well as I can.

Eye color on the other hand is something that I can modify - so I never worry about it when I pick an image, because I know that I can modify it as needed (provided I know what color to change it to - so be sure to provide that info in your CAF).

Other than that, a lot of image selection for me is just flipping through images on stock sites and seeing if anything jumps out at me.  From there, I work all other elements around the image I selected.

If period clothing is required, then I will focus on the person, and worry about making the background fit.

If a setting is pivotal, and the couple’s attire isn’t that big of a deal, then I find a background that will work and then find a couple to fit.

And so on …



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